Use Nicknames to Enrich Your Characters
Nicknames are wonderful dramatic devices because they can work with the character’s apparent physical nature or personality, work against it for humiliating or comedic effect, play into the plot by telegraphing the activities in which the character will engage, create irony, or provide mystery by hinting at information or a back-story for the character that led to its nickname but has not yet been divulged to the readers.
Tips for designing memorable characters for your novel or screenplay.
Friday, January 29, 2016
Thursday, January 28, 2016
Avoid the Genre Trap
Avoid the Genre Trap
Too many beginning writers see genres as checklists of elements and progressions they must touch, like checkpoints in a race. But a genre is not a box in which to write. It is a grab bag from which to pull only those components you are truly excited to include in your story. Every story has a unique personality, you build it chapter by chapter or scene by scene with every genre choice you make. By drawing on aspects of many different genres and combining those pieces together, you can fashion an experience for your readers or audience unlike any other.
Writing Tip of the Day
Too many beginning writers see genres as checklists of elements and progressions they must touch, like checkpoints in a race. But a genre is not a box in which to write. It is a grab bag from which to pull only those components you are truly excited to include in your story. Every story has a unique personality, you build it chapter by chapter or scene by scene with every genre choice you make. By drawing on aspects of many different genres and combining those pieces together, you can fashion an experience for your readers or audience unlike any other.
Writing Tip of the Day
Monday, January 25, 2016
Be your own critic without being critical
Be your own critic without being critical
Here’s how: Write something. Do it now. Now look at it not as an author, but as a reader or audience and ask questions about it. For example, I write, "It was dawn in the small western town." Now I ask: 1. What time of year was it? 2. What state? 3. Is it a ghost town? 4. How many people live there? 5. Is everything all right in the town? 6. What year is it. Then let your Muse come up with as many answers for each question as possible. Example: 6. What year is it? A. 1885 B. Present Day C. 2050 D. After the apocalypse. Then repeat: D. After the Apocalypse. 1. What kind of apocalypse? 2. How many people died? 3. How long ago was the disaster, and so on. By alternating between critical analysis and creative Musings, you will quickly work out details about your story's world, who's in it, what happens to them and what it all means.
Writing Tip of the Day
Here’s how: Write something. Do it now. Now look at it not as an author, but as a reader or audience and ask questions about it. For example, I write, "It was dawn in the small western town." Now I ask: 1. What time of year was it? 2. What state? 3. Is it a ghost town? 4. How many people live there? 5. Is everything all right in the town? 6. What year is it. Then let your Muse come up with as many answers for each question as possible. Example: 6. What year is it? A. 1885 B. Present Day C. 2050 D. After the apocalypse. Then repeat: D. After the Apocalypse. 1. What kind of apocalypse? 2. How many people died? 3. How long ago was the disaster, and so on. By alternating between critical analysis and creative Musings, you will quickly work out details about your story's world, who's in it, what happens to them and what it all means.
Writing Tip of the Day
Monday, January 18, 2016
Let your Muse run wild
Let your Muse run wild
The easiest way to give yourself writer's block is to bridle your Muse by trying to come up with ideas. Your Muse is always coming up with ideas - just not the ones you want. If you try to limit the kind of material you will accept from her, she'll shut up entirely. So let your Muse run free. When she gives you an hysterical moment with a polka-dot elephant while writing a serious death scene, consider including it, perhaps as an hallucination. Give it a try, it might liven up your death scene! And after you've written it, if it doesn't work, then save it in a file for later use. It may seem like a waste of time, but your Muse will know she has been treated with respect, and will likely now give you just the idea you need.
Writing Tip of the Day
Sunday, January 17, 2016
Be a Story Weaver - NOT a Story Mechanic!
Writing Tip of the Day:
Be a Story Weaver - NOT a Story Mechanic!
Structure is important but not at the expense of passion. No one reads a book or goes to a movie to experience a great structure. Authors come to a story to express their passions and readers and audience members come to ignite their own. While structure is the carrier wave upon which passion is transmitted, without the passion, it's just noise. Conversely, passion without structure can be full of sound and fury yet signifying nothing. So find the proper balance. Let passion be your captain and structure be your guide.
Writing Tip of the Day
Friday, January 15, 2016
Write From Your Passionate Self
Write from your passionate self
We all wear a mask to protect us from hurt in the world. It also blocks the light of our vision. As children, we quickly learn which behaviors are praised and which are punished. We learn to act other than we really feel to maximize our experience. In time,we buy into that mask, believing it is who we really are. But the mask evens out the peaks and troughs of our passion, leaving us afraid to explore the depths of our passion and reveal our true selves in words. To speak with a clarion voice, you must shatter the mask, discover your actual self, and thrust it into the world.
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